Tag Archives: Amazon Crossing

When the Future Comes Too Soon

I’m thrilled to announce that my second novel, When the Future Comes Too Soon, will be published on July 18, 2017, by Amazon Crossing! The book’s stunning front cover is below.

This is the second book in The Malayan Series, but it is a stand-alone novel; in fact, all the books in the series will be stand-alone. In other words, every one of them can be read independently – you need not have read The Woman Who Breathed Two Worlds before being able to enjoy this latest book!

In When the Future Comes Too Soon, Malaya is at war and occupied by the Japanese. The story follows an ordinary, middle-class family – the Wong family – through the three and a half years when their country is turned upside down. The narrator, Wong Mei Foong, who is a young woman on the eve of the Japanese invasion, must find ways to survive with her husband and their five children. For those who’ve read The Woman Who Breathed Two Worlds, Mei Foong is the first daughter-in-law of the matriarch in that previous novel.

Every Malaysian family has its own memories of the Japanese era. As a child, I was fascinated by that period and clamoured to hear my family’s stories. I devoured these tales without fully understanding their implications, and it was only while writing this second novel that I have come to appreciate how profoundly Japan’s occupation of Malaya changed our country.

This novel means a huge amount to me, so I’m pleased that the book has already received accolades from leading authors. Here’s what María Dueñas, who wrote the New York Times bestselling The Time in Between, has said about When the Future Comes Too Soon:

“Selina Siak Chin Yoke has created an intensely visceral evocation of life in Malaya during World War II, when a young wife and her family confront the harshness of life under the Japanese occupation and the ethnic polarization it causes. Mei Foong is a hauntingly original character, torn between loyalty to her family and the risk of betrayal — a woman who fatefully defies the constricting conventions of her society.”

And from Man Asian Literary Prize-shortlisted Musharraf Ali Farooqi, author of Between Clay and Dust, has come the following praise:

“As Malayan society grapples with the changes brought on by war and occupation, Mei Foong barters away pieces of her existence in order to survive, and rebuild and reclaim her life. She must finally contend with the realization that one could only wholly reclaim oneself by acts of self assertion requiring greater courage than needed merely to survive. When the Future Comes Too Soon by Selina Siak Chin Yoke is an intricately drawn network of human relationships.”

Some of you must be wondering how it is that my second novel is coming so quickly! My literary agent, Thomas Colchie in New York, spent nearly two years looking for a publisher for my first manuscript, but when Thomas agreed to work with me, he knew I was planning a series. Naturally, he advised me to start writing the second book while he continued searching for a publisher for the first work.

I had already completed two drafts of When the Future Comes Too Soon when Thomas came bearing the sort of message every aspiring author wants to hear. At that point, I had to stop writing – life just became too exciting! As the process of preparing my debut novel for publication got underway, I went back to my second manuscript and continued polishing it.

When I finally felt that it was ready to be shown to the world, I sent it off to Thomas and his wife, Elaine, who approves all the manuscripts that pass through their literary agency. I cannot tell you how nervous I was! This second novel is quite different – necessarily so, since the country is ravaged by privation – and I had no idea how anyone would react. When Elaine’s response came through one night, I had to calm myself before daring to open her email. I then walked on air for the next few days because she told me how much she loved it.

And it is thanks to you, dear readers, who gave my debut novel – The Woman Who Breathed Two Worlds – such heart-warming reviews, that Amazon Crossing quickly made an offer on the second manuscript and is bringing the finished book to you as early as they can. I hope you adore the front cover as much as I do – it presents a powerful image, as vivid as the first. For this superb art work, I must once again thank the entire design and production team at Amazon Crossing, plus the artist, David Drummond, and of course my editor, Elizabeth DeNoma.

There are now three months to go before publication. Am I nervous? Absolutely. Excited, but nervous, too; I’ve poured so much of myself into this book. I really hope that you, the reader, will like it. When the Future Comes Too Soon is already available for pre-order. Below is a selection of links you can use.

 

Amazon USA              Amazon UK                Book Depository

Barnes & Noble         Waterstones              Kinokuniya MY

 

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Ipoh is Among Top 10 Places to Visit in Asia!

Last year Lonely Planet, the world’s largest publisher of travel guide books, discovered my hometown. And its reviewer was charmed. Ipoh, the town in which my debut novel – The Woman who Breathed Two Worlds – takes place, was duly placed 6th in the publisher’s Asian destinations to visit in 2017!

There was special mention for Ipoh’s food, which has long been a favourite with Malaysia’s many foodies. One of Ipoh‘s specialities is bean sprouts and yes, I do mean that quirky-looking vegetable with a whitish stem and yellow head! Ipoh’s bean sprouts are special: fatter and crispier and therefore tastier.beansprouts

I’m told that this is because they are fed the limestone-infused water from the hills which my heroine, Chye Hoon, loved. Whatever the reason, Ipoh’s bean sprouts are so good that I once wrote a blog-post about them. Naturally, I was thrilled that Lonely Planet mentioned bean sprouts and good old Lou Wong, one of my favourite coffee shops.

lou-wong-from-outside

Lou Wong is an institution, a bit like the town’s Padang (the large field around which our British occupiers built their administrative offices. I had to explain this to the copyeditor when he tried to reduce ‘Padang’ to a small ‘p’). Like some of Malaysia’s best eating places, Lou Wong doesn’t look like much from the outside. But they serve delicious food! In case you doubted it, they have a sign telling you what they specialise in.

It’s not as if you need it, since the only things visible are barrels of bean sprouts (I kid you not) and arrays of chickens strung up, ready for the cleaver. a-tub-of-bean-sprouts

The chicken is steamed, the bean sprouts blanched, both are then doused in plenty of soya sauce and sesame oil, garnished with finely chopped spring onions and eaten with aromatic steamed rice or in a noodle soup. Simple and stunningly good! Lou Wong remains an old-style coffee shop, cooled only by ceiling fans and with relatively clean, tiled floors of light blue octagons interspersed with darker blue squares. The waiters move around in casual T shirts, sometimes fat-splattered, adding up your bill in their heads. I invariably eat more than I should. Once, the waiter who was totting up the bill stared in astonishment. ‘Wahh!’ he cried out, not believing his luck. ‘Three persons, eat so much!’ The same waiter is still there, and he smiles each time he sees me.chickens-being-chopped

Ipoh has more than food, of course. It was built on tin and is one of Malaysia’s most historical cities. Therein lies the rub: the town, created to serve British colonial interests, was built largely through Chinese effort – a fact which the Malaysian government does not like acknowledging. For years the most historical part of Ipoh, called Old Town, was left dormant. Beautiful shophouses became dilapidated and decayed. Ipoh’s recent renaissance – through private initiative, not the government’s largesse – is one of the reasons why the town has been noticed by Lonely Planet.

This is heartening to see. I would love for Ipoh, especially its old historical quarter, to thrive again. The limestone hills are still there, of course, fluffy as ever, as are many of the places I wrote about in The Woman who Breathed Two Worlds: the cave temples; Concubine Street, the narrow alley where the towkays, the business bosses, kept their mistresses(which has a real name of Jalan Panglima, or Panglima Road); the sturdy missionary schools; the Padang (large field); the railway station and other colonial buildings.

In my last post, I said that I would be putting up images of old Ipoh on my website www.siakchinyoke.com. I’ve now done this: if you’d like to have an idea of what some of the above places looked like in Chye Hoon’s day, go to the Chye Hoon’s World page of my site and click on the top left window. The images there are from vintage postcards given to me by my highly imaginative partner.

One of my dreams with the Malayan Series – as my publisher Amazon Crossing has called this historical fiction series – is to help put Malaysia and my hometown of Ipoh on the map. Many readers have said that they knew nothing about Malaysia before, and now they feel they’ve been there. One even wrote that “if I ever make it to Malaysia, this book will be a huge reason why” (referring to The Woman who Breathed Two Worlds). My message is simple: visit Malaysia! And make sure you go to Ipoh. If you’d like, you can ask me what to see! Who knows, there may eventually be tours around the places which Chye Hoon haunted.

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Video Messages to Tempt You With!

In this short blog-post I’ll share two videos of me. Those of you who also follow me on Twitter or my Facebook Author Page may already have seen these – they were shot in my home library. The first video is a simple but heart-felt Thank You to people who’ve already read and loved The Woman who Breathed Two Worlds, my debut novel (Book #1 in the Malayan Series) which follows the life of a courageous woman in British Malaya.

In the second video, I read a short excerpt from the book. Family, food, friendship and identity are key themes and this video contains pictures of the delicious kueh (or cakes in Malay) that are integral to the story, as well as images of old Ipoh, the town in which the story is set. Thank you to Cafe Rasa in Stratford, London, for supplying the kueh shown and to Dr. Ho Tak Ming for allowing us to use images from his book about Ipoh, When Tin Was King.

If you haven’t yet read The Woman who Breathed Two Worlds, I hope these videos will spur you on!

Order now at:

Amazon USA     Barnes & Noble USA     Amazon UK     Waterstones UK     Kinokuniya MY     Kinokuniya SG

Thank you for watching and for reading!

NB At the time of writing, all the above stores have my book in stock.

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A Thank You Message

At last, it’s publication day! From today my novel – The Woman who Breathed Two Worlds – will be available for purchase at major bookstores (Barnes & Noble in the US, Waterstones in the UK and at many others) as well as on leading websites worldwide. My book is available in three formats: print, as an audio book and also as a Kindle e-book, the latter from Amazon.

The past month has been exhilarating. When the e-version of my novel was placed on the Kindle First platform beginning October 1, 2016 I sat in trepidation, knowing that early readers would soon be reviewing my work. At heart writing is a solitary activity, and although I knew what I wanted to achieve with my novel I had no idea how readers would actually react. The process of waiting for those first reviews was nerve-racking. I told my editor, Elizabeth DeNoma, that I was not going to check for reviews.

October 1 fell on a Saturday. Bearing in mind that my book is over 400 pages long (nearly 500 pages in the paperback version), I was surprised to receive an email on the evening of Monday, October 3, when it would only have been noon in Seattle. Could anyone have actually finished reading the book? Apparently, yes. Elizabeth’s email said that the first reviews were in, they were “pretty great” and I should take a look.

My heart was thumping when I opened Amazon’s US site. Everything was a blur and my eyes could barely focus. I felt a little like the parents of my protagonist at the moment when they stood staring at the island of Penang. There before them was the object for which they had given up so much, yet as the island rose in front of their eyes, its beckoning shape seemed too daunting.

A day later, I received my first fan mail. As an author who is keen to be read, I cannot tell you how thrilling that was. Many others have written since, either on this blog or via Twitter or my Facebook Author page. Thank you to all, your words mean a lot.

Thank you, too, to readers who have written reviews on Amazon. To say that I’ve been overwhelmed by my book’s exceptional reception would be an understatement. The start of my novel is somewhat meandering – mimicking life as I imagined it would have been in 1878, when the story begins. With pace being the norm today, I worried that readers would not be drawn in. How wrong I was.

…fabulous job of writing drawing you immediately into an unknown Asian family and their world…

Loved it – it was hard to put down” was a common refrain, but it took a week before I could read such compliments without heart palpitations. A fortnight passed before I really grasped the sentiments readers were trying to convey. It was difficult to take in the adjectives readers were using: “wonderful”, “enchanting” and “epic”. Some of the comments brought me close to tears – and I don’t cry easily. One reader said: “When I started this book I wasn’t sure I would like it. But it turned out to be a very good book and I didn’t want it to end.” For an author, there can be no greater compliment.

There have been highly personal messages from readers who grew up in South-East Asia, for whom my book brought back vivid memories. To be clear, no familiarity with Malaysia is required: readers who knew nothing about Malaysia beforehand have enjoyed the story as much. A few even had their interest piqued: “I loved this book so much I’ve started making a Pinterest board about it so I can see all the items and sites described.” This reader, like many others, described my novel as a journey.

I was sad when I finished this book. Felt like leaving a good friend.

It has been an honor to travel with this courageous, feisty and loving woman, to be her companion. I will miss her.

One of those books you hope will never end and you feel bereft when you reach the final page. Excellent story, beautiful writing.

At this point, I must make a digression to thank my publisher. One of the reasons so many of you have found the reading experience to be unique and authentic is in part thanks to my publishing team at Amazon Crossing and their bold editorial decisions. My editor, Elizabeth DeNoma, loves my book as much as many of you do; she did not want to see any of it cut. As a debut novelist no one had heard of, I’m really grateful for this.

Amazon Crossing made other decisions that preserved the cultural content of my work, notably with respect to dialogue. Some of what the characters say to each other is written the way Malaysians speak, which means that the word order is slightly changed. The vast majority of readers have appreciated the sense of place which this helps to create. Someone put it thus:

I loved the dialogue. Making the word order match the dialects represented made everything more real.

Who said books had to be dumbed down?

I also wanted to depict my homeland, Malaysia, in the fullest possible way, so that people who had never visited would be able to picture it and smell all the smells I grew up with. From the reaction of readers, it’s just possible that I succeeded. “There are some books you devour, and others you savor. This, Selina Siak Chin Yoke’s debut novel, is the latter. Her beautiful descriptions bring the time and place in which her characters live to vibrant life, and turn the setting itself into a character in its own right.

There have been many, many other heart-warming comments; I could not possibly quote them all here. If you submitted a review, please know that I have been deeply moved by the way my story has resonated.

Now that The Woman who Breathed Two Worlds has been published, the cover name of my blog will no longer be ‘Journey of my First Novel’. The blog’s URL will remain the same and if you’ve subscribed to this site, there’s nothing you need do.

Let me conclude with the following lovely comment from another reader:

The rhythm of the words, the flow of the story, the tales that were shared – it all seemed so real. It’s been a long time since I’ve read a book that tugged at my emotions, culminating in tears for a woman I felt I had grown to know.

As we say in Malay, Terima Kasih Seribu Kali (Thank You a Thousand Times). Thank you for reading, for writing to me and for all your kind words. Your messages make the years of toil worthwhile.

NB All of the above reader comments (and more) can be found on Amazon’s US site as well as on its UK site. With thanks to Amazon Crossing for allowing me to cite them on this blog.

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Dreams can be Made

I’m thrilled to tell you that my novel – The Woman who Breathed Two Worlds – will be launched on November 1, 2016 in three formats: in print, as a Kindle e-book and also as an audio book.

Below is what the cover will look like. I love the artwork, I think it’s amazing – and I’m not just saying this because it happens to be my book.

The Woman Who Breathed Two Worlds (The Malayan Series) by [Siak Chin Yoke, Selina]

If you’ve been waiting for my novel, the good news is that it’s now available to pre-order! Here are some of the stores which will stock it: Kinokuniya in Malaysia ; Kinokuniya in Singapore; Waterstones in the UK; Barnes & Noble in the USA and of course Amazon.

I mentioned before that I was stunned by how much work goes into a published book. I had expected the text to be scrutinised; this, after all, is the heart of a book, but I never imagined I would be taught the fine points of English grammar in the process!

For instance, I was told that I used the “subjunctive were” a lot (one of the copy editor’s comments). Funnily enough, I did not know what a “subjunctive were” was: I had to look it up on Google. It’s a relief to know that there are still people on this planet who understand the rules of English grammar. When I see the types of grammatical mistakes being made nowadays, I have to conclude that such people are a dying breed. So I’m really glad to find them in publishing!

At the outset, I was asked whether I wanted to be consulted about my book cover. Of course I said yes, and I’m glad I did – because it has allowed me to appreciate the amount of thought which designers put into book covers. Everyone sort of knows that book covers are important, but how much attention do you really give them beyond whether they are “nice” or not?

I was flabbergasted when my publisher began to articulate the different elements they felt that our cover had to convey. First, geography – so that it evoked at a glance not just Asia but South East Asia; secondly, the era – vintage yet somehow also timeless; and finally the sense of story, of how central the female protagonist is. I’m really proud of what was achieved even though I did not participate actively in the creative process. I only watched from afar, lobbing ideas when asked and making the odd irritating comment, like “too much yellow, could we have more blue please”. The artist, David Drummond, has featured the work on his own blog, where he describes it as being a “fun cover” to work on. I’m glad he thinks so, because there must have been goodness-knows-how-many iterations! (I don’t actually know how many there were – my editor did a wonderful job in shielding me from the (no doubt) heated discussions.)

I don’t suppose that many authors have much involvement with the creation of their audio books. Because of the peppering of Malay and Chinese dialect words in my novel, I had offered pronunciation assistance to the narrator, a British actress by the name of Christine Rendel. I did not know whether Christine would take my offer up, and was impressed when she not only did but came prepared with an array of of questions. I had to explain how to say “ai-yahh” and “lah” and “ngi cho ma kai-ah”, among other things. And now I can’t wait to hear what she has done with these expressions!

Finally, a word about my publisher Amazon Crossing – Amazon Publishing’s translated works imprint. In line with its remit Amazon Crossing has to date mainly published works written in other languages and translated into English. I’m pleased to be among the handful of authors writing in English whom they have chosen to publish, and especially honoured that they selected my debut novel. I must thank the whole team in Seattle, most of whom I have not met, many whose names I don’t even know, for being so pro-active and re-active and patient with the questions I’ve asked. My editor, Elizabeth DeNoma, has been exemplary. Her job, apart from managing various strands of the book production process, has included holding my hand, especially as publication day creeps ever closer.

Because, with less than two months to go, my emotions are starting to cause havoc. This may sound counter-intuitive but I’ve become increasingly nervous; what if people hate my book? To be honest, I’m having trouble sleeping properly. I fear I may be a wreck by November.

Thank goodness I’ll be visiting Malaysia before then – I’ll certainly need doses of petai and Nyonya kueh to calm those nerves! If any of you are in Malaysia in October, please come and hear me read an excerpt from The Woman who Breathed Two Worlds. I will be at The Sharpened Word in Ipoh, my hometown, on Saturday, October 15, 2016 and then at Seksan, Bangsar Village in Kuala Lumpur a fortnight later on Saturday, October 29, 2016. Details will be posted here in due course.

Meanwhile I’ve been asked for an interview. Part of me cannot believe this is actually happening… For so long I dreamt about having a novel published. But I had other interests too and I pursued these first. If I had not had cancer when I did, I would probably only have started writing seriously much later. Which goes to show that positive things can rise out of the ashes of personal difficulty.

Taking this novel from concept to publication has taken longer than I ever imagined it would. Nearly six years, to be precise : two months of research, two years of writing, another year to secure an agent, nearly two years for him to find a publisher and then the months Amazon Crossing has spent turning my raw manuscript into a printed book. Now it feels as if I’m standing on the threshold of something new, a different stage in my writing journey, when I can look back on the hard slog and think that, no matter what happens next, it has all been worth it. Sometimes, dreams do come true.

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